 |
|
 |
|
Selected Bibliography
Abadie Jean Pierre, Hyperréalisme, Catalogue VIIème Biennale de Paris, 1972. Alberti Leon Battista, On Painting,(transl., with introduction and notes by John R. Spencer), New Haven: Yale University Press, 1966 Arnheim, Rudolf, Art and Visual Perception: A Psychology of the Creative Eye, Berkeley and Los Angeles: University of California Press, 1967. Arthur John, Richard Estes: Paintings & Prints, San Francisco: Pomegranate Art Books, 1993. Ashbury, John and Moffett, Kenworth,
Fairfield Porter: Realist Painter in An Age of Abstraction, Boston:
Museum of Fine Arts, Boston (Little, Brown & Company), 1982. Baeder John, and Vincent Scully; John Arthur, Diners; Revised and Updated, New York: Harry N. Abrams, Inc, 1978, 1995. Baeder John, Gas, Food, and Lodging, New York: Abbeville Press Publishers, 1982. Barasch Moshe, Theories of Art: From Plato to Winckelmann, New York: New York University Press, 1985. Battcock Gregory, editor. Super Realism A Critical Anthology, New York: E. P. Dutton, 1975. Becker Wolgang « Ambiguité du réel: essai de méthodisation », CNAC Archives, Hyperréalistes européens, réalistes européens, 1974 Bonito, Virginia Anne. Don Eddy: the Resonnance of Realism in the Art of Post War America: Artregister Press.com, 1999( published electronically) Bowman Russell, Hilton Kramer and Irving Sandler, Philip Pearlstein: The Complete Paintings, New York: Alpine Fine Arts Collection, Ltd. 1983. Brightman Carol, and John Ashberry, Drawings and Digressions by Larry Rivers, New York: Clarkson N. Potter, Inc., 1979. Canaday John, and John Arthur, Richard Estes, The Urban Landscape, Boston: Museum of Fine Arts, Boston (and New York Graphic Society, Boston), 1978. Carluccio Luigi, Domenico Gnoli : Editions
des Massons, Lausanne, 1974. Chase Linda, Ralph Goings, New York: Harry N. Abrams, Inc., 1988. Chase Linda, Les hyperréalistes
américains, Editions Fillipachi, 1973. Clair Jean, Chroniques de l’Art vivant, N° 36 et 37, Février- Mars 1973 Clair Jean « L’adorable leurre », CNAC Archives, Hyperréalistes européens, réalistes européens, 1974 Coke, Van Deren, The Painter and the Photograph: From Delacroix to Warhol, Alberquerque, University of New Mexico Press, rev. ed. 1972. Conrad, Barnaby, III, John Register, San Francisco: Chronicle Books, 1989. Copie conforme?, Centre Geoges Pompidou, Musée National d’Art Moderne, Paris, 1979 Cummings Paul, "Interview: Idelle Weber Talks with Paul Cummings, " Drawing, Vol. XV, No. 4, Nov / Dec 1993. Chritopher Finch, Chuc Close, Work, 2007, Prestell Fox Howard N; and Hal Foster; Katherine Dieckmann; Brian Wallis, Robert Longo, Los Angeles County Museum of Art (Rizzoli International Publications, New York), 1989. Flack Audrey, Audrey Flack on painting, New York: Harry N. Abrams, Inc., 1981. Geirlandt Karl J., Du Pop à l’Hyperréalisme,
dans Hyperréalisme Maîtres Américains &
Européens : Isy Brachot , 1973 Geldzahler Henry, New York Painting and Sculpture: 1940-1970, New York: E.P. Dutton, & Co., Inc. in association with the Metropolitan Museum of Art, 1969. Geldzaller Henry, Charles Bell, The complete works, New York: Harry N. Abrams, Inc., 1991. Gregory Gillespie: Recent Paintings; The Real and the Imagined, Artists¹s Statement by Gregory Gillespie: Catalogue for the exhibition, Forum Gallery, New York, 1986. Gregory Gillespie, Essay by John Yau: Forum Gallery, New York, 1996. Goodyear, Frank H., Jr., Contemporary American Realism Since 1960: New York Graphic Society, Boston (Little, Brown and Company, Canada), 1981. Haas, Richard, and Paul Goldberger, Richard Haas: An Architecture of Illusion, New York: Rizzoli International Publications, Inc., 1981. Harries, Karsten, The Meaning of Modern Art; A Philosophical Interpretation, Evanston: Northwestern University Press, 1968. Helnwein Gottfried: Koneman, 1998. Heiner Bastian, Ron Mueck, Hatje Kantz, 2005 Hunter Sam, Larry Rivers, New York: Rizzoli International Publications, 1989. Isy Brachot, Hyperréalisme Maitres
Américains et Européens : Isy Brachot Editeur, 1973. Jouffoy Alain, Schlosser : Editions Frederic Loeb Kacere, Texte de Paul Brach, Filipachi, 1989 Komanechy, Michael, et.al., The Folding Image; Screens by Western Artists of the Nineteenth and Twentieth Centuries, New Haven: Yale University Art Gallery, 1984. Kultermann Udo, Radikaler Realismus: Verlag Ernst Wasmuth Tubingen, 1972 Kuspit Donald, Amei Wallach, Joseph Raffael, New York: Abbeville Press Lamarche - Vardel Bernard, Hucleux, Grandes monographies, L’autre Musée: Aux Editions de la Différence, 1987 Lebensztejn Jean Claude, Malcom Morley Itinéraires : Mamco, 2001 Lee Rensselaer W., Ut Pictura Poesis: The Humanistic Theory of Painting, New York: W. W. Norton and Company, Inc., 1967. Lekarski, Catalogue de l’Exposition « Safari aux Tuileries » Préface de Jean-jacques Lévêque Levin Kim, “Une tranche de vie synthétique”, Opus International, 44,45, p. 28-37, 1973 Lucie-Smith Edward, American Realism, New York: Harry N. Abrams, Inc., 1994. Lucie-Smith Edward, Super Realism, Oxford: Phaidon, 1979. Martin, Alvin, and Henry T. Hopkins, American Realism: Twentieth-Century Drawings and Watercolors from the Glenn C. Janss Collection, San Francisco Museum of Art (Harry N. Abrams, Inc., New York), 1986. McManus Irene, The Watercolors of Carolyn Brady, Including a Catalogue Raisonné 1972-1900, New York: Hudson Hills Press, 1991 Meisel Louis K., Photorealism, New York: Harry N. Abrams, Inc., 1980. Meisel Louis K., Photorealism Since 1980, New York: Harry N. Abrams, Inc., 1980. Meisel Louis K. with Linda Chase, Photorealism at the Millenium, New York: Harry N. Abrams, Inc., 2002. Meisel Louis K. and John Perreault, Richard Estes: The Complete Paintings 1966-1985, New York: Harry N. Abrams, Inc, 1986. Mimiague Georges, « Les souvenirs futurs » par Alain Jouffroy : Le Castor Astral, 1982 Nochlin Linda, Realism, Baltimore: Penguin Books, 1971. Pacquement Alfred , Préface de l’Exposition « 8 Définitions du Réel »: CNAC, 1975. Prendeville Brendan, Realism in 20th Century Painting: Thames & Hudson, 2000. Pontus Hulten K.G., The machine (as seen at the end of the mechanical age), NY: The Museum of Modern Art, 1968. Pradel Jean-Louis: La Figuration Narrative, Villa Tamaris : Hazan, 2000. Price Richard, Robert Longo: Men in the Cities, New York: Harry N. Abrams, Inc., 1986. Raffael Joseph , Essay by Joyce Petschek, Catalogue for the exhibition, Nancy Hoffman Gallery, New York, 1990. Raffael Joseph: a Dream Remembered, Catalogue for the exhibition, Nancy Hoffman Gallery, New York, 1986. Ralph Goings, a Retospective View of Watercolors: 1972-1994. Jason Mc Coy Inc. New york, 1994 Real, Really Real, Super Real: Directions in Contemporary American Realism, San Antonio: San Antonio Museum Association, 1981. Schmeltz, Peintures: Editions Ramsay, 1991 Schmeltz Bruno, Peintures: Editions Flammarion, 2001 Realism Today: American Drawings from the Rita Rich Collection, Preface by John Restany Pierre in Domus N°525, août 1973 Rodriguez Victor, Jorge Pinto Books, 2004 Sager Peter : Neue Formen des Realismus, Du Mont, 1973 Sandorfi: Editions garnier Noura, 1997 Spike John T., Fairfield Porter, An American Classic, New York: Harry N. Abrams, Inc., 1992. Steinberg Leo, Other Criteria: Confrontations with Twentieth-Century Art, New York: Oxford University Press, 1975. Sullivan Edward J., Claudio Bravo: Rizzoli International Publications, 1985 Treadwell Nicholas, Super Humanism: Editor Paul Foster, 1980. Treadwell Nicholas, Super Humanism 2: Nicholas Treadwell Publications, 1982. Vallee Desmone, « Une neutralité agressive », Opus International, 44-45, p. 26-27, 1973 Van Tieghem Jean Pierre Réalités Hyperréalistes, dans Hyperréalisme Maîtres Américains & Européens: Isy Brachot , 1973. Viola Jerome, The Painting and Teaching of Philip Pearlstein, New York: Watson-Guptill Publications, 1982. Wallach Kuspit, Reflections of nature: paintings by Joseph Raffael Westfall Stephen, Idelle Weber: Paintings and Works on Paper 1982 - 1985; Chicago: The Arts Club of Chicago, May 5 - June 25, 1986, essay for the exhibition catalogue, May, 1986. Wheelock Arthur K., Jr., Vermeer and the Art of Painting, New Haven and London: Yale University Press, 1995. Wittkower Rudolf and Margot, Born Under Saturn: The Character and Conduct of Artists, New York: W.W. Norton and Company, Inc., 1969. Xuriguera Gérard, Les Figurations de 1960 à nos jours : Editions Mayer, Paris, 1985 Yvel Claude, Trompe l' œil : ACR Editions, Courbevoie, 1984
|
|
