Ouvrages, monographies, 
articles consacrés à l' hyperréalisme

Abadie Daniel

« Fausses évidences et réalités de l’image », Hyperréalistes européens, réalistes européens : CNAC Archives, 1974


Abadie Jean Pierre

Hyperréalisme, Catalogue VIIème Biennale de Paris, 1972.

Alberti Leon Battista

On Painting, (transl., with introduction and notes by John R. Spencer), New Haven: Yale University Press, 1966 


Arnheim, Rudolf

Art and Visual Perception: A Psychology of the Creative Eye, Berkeley and Los Angeles: University of California Press, 1967. 


Arthur John, Richard Estes

Paintings & Prints, San Francisco: Pomegranate Art Books, 1993.


Ashbury, John and Moffett, Kenworth, Fairfield Porter

Realist Painter in An Age of Abstraction, Boston: Museum of Fine Arts, Boston (Little, Brown & Company), 1982.


Arthur John. Richard Estes

Paintings and Prints, New York: Chameleon Books, 1993.


Baeder John, and Vincent Scully; John Arthur

Diners; Revised and Updated, New York: Harry N. Abrams, Inc, 1978, 1995. 


Baeder John

Gas, Food, and Lodging, New York: Abbeville Press Publishers, 1982. 


Barasch Moshe

Theories of Art: From Plato to Winckelmann, New York: New York University Press, 1985. 


Battcock Gregory, editor

Super Realism A Critical Anthology, New York: E. P. Dutton, 1975. 


Becker Wolgang

« Ambiguité du réel: essai de méthodisation », CNAC Archives, Hyperréalistes européens, réalistes européens, 1974


Bonito, Virginia Anne

Don Eddy: the Resonnance of Realism in the Art of Post War America: Artregister, 1999( published electronically)


Bowman Russell, Hilton Kramer and Irving Sandler, Philip Pearlstein:

The Complete Paintings, New York: Alpine Fine Arts Collection, Ltd. 1983.


Brightman Carol, and John Ashberry,

Drawings and Digressions by Larry Rivers, New York: Clarkson N. Potter, Inc., 1979. 


Canaday John, and John Arthur, Richard Estes,

The Urban Landscape, Boston: Museum of Fine Arts, Boston (and New York Graphic Society, Boston), 1978. 


Carluccio Luigi, Domenico Gnoli :

Editions des Massons, Lausanne, 1974.


Chalumeau Jean Luc,

Peinture et photographie, Chêne, 2007


Chase Linda,

Ralph Goings, New York: Harry N. Abrams, Inc., 1988.


Chase Linda,

Les hyperréalistes américains, Editions Fillipachi, 1973.

Clair Jean,

Art en France, « Une nouvelle Génération », Chêne, Paris, 1972.


Clair Jean,

Chroniques de l’Art vivant, N° 36 et 37, Février- Mars 1973


Clair Jean

« L’adorable leurre », CNAC Archives, Hyperréalistes européens, réalistes européens, 1974


Coke, Van Deren,

The Painter and the Photograph: From Delacroix to Warhol, Alberquerque, University of New Mexico Press, rev. ed. 1972. 


Conrad, Barnaby,

III, John Register, San Francisco: Chronicle Books, 1989. 


Copie conforme?,

Centre Geoges Pompidou, Musée National d’Art Moderne, Paris, 1979


Cummings Paul,

"Interview: Idelle Weber Talks with Paul Cummings, " Drawing, Vol. XV, No. 4, Nov / Dec 1993. 


Christopher Finch,

Chuck Close, Work, 2007, Prestell 


Fox Howard N; and Hal Foster;

Katherine Dieckmann; Brian Wallis, Robert Longo, Los Angeles County Museum of Art (Rizzoli International Publications, New York), 1989. 


Flack Audrey,

Audrey Flack on painting, New York: Harry N. Abrams, Inc., 1981. 


Geirlandt Karl J.,

Du Pop à l’Hyperréalisme, dans Hyperréalisme Maîtres Américains & Européens : Isy Brachot , 1973
Bell Charles, The complete Works 1970-1990


Geldzahler Henry,

New York Painting and Sculpture: 1940-1970, New York: E.P. Dutton, & Co., Inc. in association with the Metropolitan Museum of Art, 1969.


Geldzahler Henry,

Charles Bell, The complete works, New York: Harry N. Abrams, Inc., 1991. 


Gregory Gillespie:

Recent Paintings; The Real and the Imagined, Artists¹s Statement by Gregory Gillespie: Catalogue for the exhibition, Forum Gallery, New York, 1986. 


Gregory Gillespie,

Essay by John Yau: Forum Gallery, New York, 1996. 


Goodyear, Frank H., Jr.,

Contemporary American Realism Since 1960: New York Graphic Society, Boston (Little, Brown and Company, Canada), 1981.


Haas, Richard, and Paul Goldberger,

Richard Haas: An Architecture of Illusion, New York: Rizzoli International Publications, Inc., 1981.


Harries, Karsten,

The Meaning of Modern Art; A Philosophical Interpretation, Evanston: Northwestern University Press, 1968. 


Helnwein Gottfried:

Koneman, 1998.


Heiner Bastian,

Ron Mueck, Hatje Kantz, 2005 


Hunter Sam,

Larry Rivers, New York: Rizzoli International Publications, 1989. 


Isy Brachot,

Hyperréalisme Maitres Américains et Européens : Isy Brachot Editeur, 1973.


John Russell Taylor,

Exactitude Hyperrealist art today, Maggie Bollaert Editor, 2009


Jouffoy Alain,

Schlosser : Editions Frederic Loeb



Texte de Paul Brach, Filipachi, 1989


Komanechy, Michael,,

The Folding Image; Screens by Western Artists of the Nineteenth and Twentieth Centuries, New Haven: Yale University Art Gallery, 1984. 


Kultermann Udo,

Radikaler Realismus: Verlag Ernst Wasmuth Tubingen, 1972 


Kuspit Donald, Amei Wallach,

Joseph Raffael, New York: Abbeville Press


Lamarche - Vardel Bernard,

Hucleux, Grandes monographies, L’autre Musée: Aux Editions de la Différence, 1987


Lebensztejn Jean Claude,

Malcom Morley Itinéraires : Mamco, 2001


Lee Rensselaer W.,

Ut Pictura Poesis: The Humanistic Theory of Painting, New York: W. W. Norton and Company, Inc., 1967. 



Catalogue de l’Exposition « Safari aux Tuileries » Préface de Jean-jacques Lévêque


Levin Kim,

“Une tranche de vie synthétique”, Opus International, 44,45, p. 28-37, 1973 


Lucie-Smith Edward,

American Realism, New York: Harry N. Abrams, Inc., 1994. 


Lucie-Smith Edward,

Super Realism, Oxford: Phaidon, 1979.


Martin, Alvin, and Henry T. Hopkins,

American Realism: Twentieth-Century Drawings and Watercolors from the Glenn C. Janss Collection, San Francisco

Museum of Art (Harry N. Abrams, Inc., New York), 1986. 


McManus Irene,

The Watercolors of Carolyn Brady, Including a Catalogue Raisonné 1972-1900, New York: Hudson Hills Press, 1991


Meisel Louis K.,

Photorealism, New York: Harry N. Abrams, Inc., 1980. 


Meisel Louis K.,

Photorealism Since 1980, New York: Harry N. Abrams, Inc., 1980. 


Meisel Louis K. with Linda Chase,

Photorealism at the Millenium, New York: Harry N. Abrams, Inc., 2002. 


Meisel Louis K. and John Perreault,

Richard Estes: The Complete Paintings 1966-1985, New York: Harry N. Abrams, Inc, 1986. 


Mimiague Georges,

« Les souvenirs futurs » par Alain Jouffroy : Le Castor Astral, 1982


Nochlin Linda,

Realism, Baltimore: Penguin Books, 1971. 


Pacquement Alfred ,

Préface de l’Exposition « 8 Définitions du Réel »: CNAC, 1975.


Prendeville Brendan,

Realism in 20th Century Painting: Thames & Hudson, 2000.


Pontus Hulten K.G.,

The machine (as seen at the end of the mechanical age), NY: The Museum of Modern Art, 1968. 

Pradel Jean-Louis:

La Figuration Narrative, Villa Tamaris : Hazan, 2000. 


Price Richard,

Robert Longo: Men in the Cities, New York: Harry N. Abrams, Inc., 1986. 


Raffael Joseph ,

Essay by Joyce Petschek, Catalogue for the exhibition, Nancy Hoffman Gallery, New York, 1990. 


Raffael Joseph:

a Dream Remembered, Catalogue for the exhibition, Nancy Hoffman Gallery, New York, 1986. 


Ralph Goings,

a Retospective View of Watercolors: 1972-1994. Jason Mc Coy Inc. New york, 1994


Real, Really Real, Super Real: Directions in Contemporary American Realism, San Antonio: San Antonio Museum Association, 1981. 


Realism Today: American Drawings from the Rita Rich Collection, Preface by John 


Restany Pierre

in Domus N°525, août 1973

Rodriguez Victor,

Jorge Pinto Books, 2004 


Peintures: Editions Ramsay, 1991


Schmeltz Bruno,

Peintures: Editions Flammarion, 2001

Sager Peter :

Neue Formen des Realismus, Du Mont, 1973



Editions garnier Noura, 1997


Spike John T.,

Fairfield Porter, An American Classic, New York: Harry N. Abrams, Inc., 1992. 


Steinberg Leo,

Other Criteria: Confrontations with Twentieth-Century Art, New York: Oxford University Press, 1975. 


Sullivan Edward J.,

Claudio Bravo: Rizzoli International Publications, 1985


Treadwell Nicholas,

Super Humanism: Editor Paul Foster, 1980.


Treadwell Nicholas,

Super Humanism 2: Nicholas Treadwell Publications, 1982.


Vallee Desmone,

« Une neutralité agressive », Opus International, 44-45, p. 26-27, 1973


Van Tieghem Jean Pierre

Réalités Hyperréalistes, dans Hyperréalisme Maîtres Américains & Européens: Isy Brachot , 1973.


Viola Jerome,

The Painting and Teaching of Philip Pearlstein, New York: Watson-Guptill Publications, 1982. 


Wallach Kuspit,

Reflections of nature: paintings by Joseph Raffael 


Westfall Stephen,

Idelle Weber: Paintings and Works on Paper 1982 - 1985; Chicago: The Arts Club of Chicago, May 5 - June 25, 1986, essay for the exhibition catalogue, May, 1986. 


Wheelock Arthur K.,

Jr., Vermeer and the Art of Painting, New Haven and London: Yale University Press, 1995. 


Wittkower Rudolf and Margot,

Born Under Saturn: The Character and Conduct of Artists, New York: W.W. Norton and Company, Inc., 1969. 


Xuriguera Gérard,

Les Figurations de 1960 à nos jours : Editions Mayer, Paris, 1985


Yvel Claude,

Trompe l' œil : ACR Editions, Courbevoie, 1984


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